Tag Archives: residency

Interview with PhD Annabel Dover | Artist in Residence at The British School at Athens

Original article by Sarah McLean for the Chelsea Blog, see entire interview here…Chelsea Blog

Practice-based PhD student Annabel Dover has been announced as the first recipient of a new award founded by the Camberwell, Chelsea and Wimbledon Graduate School with the The British School at Athens (BSA). The award comprises of a new arts residency in Greece, supported by a bursary and with studio and accommodation provided, which Annabel will undertake from 13 March – 31 May this year.

While in Greece, Annabel will look at Athens through the prism of her own personal narrative, engaging with the BSA research theme of building the archive. She will offer an introductory lecture at the School at the start of her residency and host an open studio event while resident.  She will also offer a lecture at UAL on returning from the residency.

The BSA, founded in 1886, maintains facilities in Athens which include the Director’s house (with meeting rooms and a recently-created artist’s studio in the roof space); the Hostel, housing a specialist library, archive, museum, accommodation, a common room, kitchen, dining room, and administration; a Hostel Annexe; the Assistant Director’s apartment; and the Marc and Ismene Fitch Laboratory for science-based archaeology. The BSA has a relaxed atmosphere enabling researchers to cross-fertilise among their own different fields of interest, as well as to develop links with local practitioners and researchers.

We spoke to Annabel about her work and her plans for the Residency.

Please tell us about your plans for the British School at Athens Residency – what do you hope to achieve? How will this relate to your current work? What attracted you to apply for it?
I’m so  looking forward to having a bed close to a studio and being able to focus on being in the studio and being immersed in my work all of the time. Unless I’m working towards a show I am not very good at making work. Neil Cummings [Professor of Practice and Theory of Fine Art in the Graduate School] talks about there already being too much stuff in the world and I feel I don’t really want to add to it! My PhD research came from and was developed by the practice and I would love to make more practical experiments.

Work from The Psychopathology of Everyday Life by Annabel Dover. Watercolour on paper and porcelain.

Work from The Psychopathology of Everyday Life by Annabel Dover. Watercolour on paper and porcelain.

The environment of the BSA is something I’m excited about too: there’s a really great looking museum with artefacts and a seed collection, which sounds magical. I am looking forward to meeting new people and hearing about their research. Athens itself is a fascinating city – the squashed oranges that fall off the trees are something I remember my mother telling me about. The central theme of my research is based on reliving my mother’s trip to Athens in the late 1980s. With this I hope to explore a new way of working.

I’ve looked at biography with my PhD research and the way I’ve tried to inhabit the Victorian photographer Anna Atkins. I also want to make work about how it feels to be away from ‘home’ and relate that to other ‘explorers’ such as Marianne North. I’m looking forward to having the freedom to make a record of emotional encounters in Athens.

I like the city of Athens and I feel I have only experienced it superficially, so it will be great to be there for three months. Last time I was there I saw a wild tortoise in the plants at the base of the Acropolis. It was very exciting seeing an (ancient) living thing inhabiting an ancient monument.



Aldeburgh Lookout Residency- Altea Grau

In the isolated, magical and stimulating Aldeburgh Lookout, Altea Grau developed a project that aimed to collect material to transform the sequential condition of writing into the simultaneous realm of seeing. Through video, sound and drawing components she presented two site-specific installations that aim to reflect on the echo, duality and connotations of the North Sea at the end of her residency on 2 May. Her research aims to re-evaluate the concept and the form of the page, in particular, the double page spread as a particular space for art. The investigation explores the page as a material support and a discursive space in an exhibition context, relating it to concepts such as space, echo, duality, reflection and mirroring.

The purpose is to reflect how forms of presentation of the pages, as pieces of art in public spaces, have created a distinctive condition for the viewer to engage with the form of the double page spread. The aim is to shift the conventional focus and context of analysis by considering the double page as piece of art itself and to open new modes of engagement. This research confronts both traditional and new approaches, including how we might engage with electronic forms of the page and how the digital formats might become an artistic and poetic tool to expand and change the concept of the double page spread.

When proposing the residency, Grau said, ‘I would like to use The Aldeburgh Beach South Lookout residency to make new site-specific work stimulated by the landscape, the pebbled beach, the sky and the intrinsic connotations and resonances that the sea carries.

The Lookout is facing the North Sea, a marginal sea that connects Scandinavia, France, Germany, the Netherlands and Belgium. It brings the cold wind from the north and with it, rumours of history. The sea keeps moving every night, every day, during years and centuries, observing and being testimony of every episode of life that happens.

I would like to explore and to record the language of the sea. Isolated in the beach in Suffolk, it will be the perfect occasion to spend the time observing the tide, hearing the roaring of the immensity of the sea, the wind and the sound of pebbles dragging between waves.

I believe that even if 5 days is a short period of time, the experience will be very intense, and my aim is to take advantage of the stimulus and the process of making. Using beach and the views but also the space provided in the observatory. I would like to try to make the sea become a trace to bring it into the gallery space.’