Tag Archives: Annabel Dover

Annabel Dover | The Dream Lives of Objects | 24 Jan 2018

Artist Annabel Dover will talk about her residency at the British School at Athens and our multivalent relationship to objects.

24th January 2018 | Lecture Theatre, Chelsea College of Arts

6pm-8pm

Images – C-type prints – City Plaza Hotel, Series I, II, III, IV, V

For my residency at the British School at Athens I looked at Athens through the prism of personal narratives. When I was 13, my father already gone, my mother left home to live in Athens. She never returned. My research at the British School at Athens focused on the Finlay Museum whilst retracing my mother’s steps in Athens, according to her letters; making drawings, paintings and three-dimensional objects that respond to the leftover human traces I found in these areas. The designer Phillipe Stark remarked that to understand a city you must first look in its rubbish bins. In a series of three-dimensional works, I used the crumbs of gold leaf I found outside the Hotel des Anglais, Syntagma Square, leftover by the hotel’s recent ironwork gilding. I made everyday objects akin to the dice, coins and shells found in the Ancient Athenian Agora Museum, out of Jesmonite and then gilded them with the found gold leaf. I scattered these in the Ancient Agora and photographed them in situ. I made watercolours that take their glittering translucent appearance from a small rock I found in the Ancient Agora. A jeweller in the Plaka, skilled in the art of Lapis Lazuli carving, ground it down for me and I have added it to gum Arabic (from The Acacia Senegal tree, from the Sudan). The Ancient Agora seems so alive with Tortoises, Hoopoes, Swallows and plants that I wanted some of this organic life to become part of my document of Athens. These scraps of the recent past are then woven together to form a new narrative

My chief research focus whilst at the British School at Athens engaged with the school’s research theme of ‘building the archive’. My PhD research focused on presenting an alternative taxonomy. My study of the early photographer Anna Atkins looked at the specimens she presents less as conclusive evidence, more reflecting on them as a starting point to explore her biography. Whilst in Athens I documented accidental artefacts left behind by the people who catalogued the Finlay Museum; items such as an airmail envelope with notes on, or discarded pieces of paper with the item numbers of the potsherds in the collection. I made paintings and drawings of these artefacts alongside the displayed artefacts of the Finlay Museum and presented these works in a loose-leaf album.

I volunteered at City Plaza Hotel, a hotel that went bankrupt in the crash of 2007, now a refugee hostel. I photographed groups of objects belonging to the residents of the hostel: bags of earth brought from their home countries, rose petals they collected and sometimes I collected for them that their mothers put in their bras to make them smell nice, oranges they picked from the trees that grow on the streets of Athens that they ate. Cigar ends that belonged to the rich men of Athens that they dreamt of being. Lucky charms Greek people they met had given to them when they were ill and the toys that became dirty on their long journey to Greece.

My time at the BSA provided me with an overwhelming amount of material that will continue to influence my work in the future. I would particularly like to focus on the wildlife of the Ancient Agora site. I have used humane moth traps in the past and I would be very interested in documenting the moths of the Ancient Athenian Agora, as a metaphor for the life of the city returning after dark. Among the other areas of research, I encountered at the BSA, that I am very interested to follow are: archeological squeezes and the indexical parallels they have with the cyanotype, the works of Piet de Jong and Alice Lidsell’s botanical notebook who was resident at the BSA 1930-31 and whose watercolours are now housed by Newnham College, Cambridge.

 

Interview with PhD Annabel Dover | Artist in Residence at The British School at Athens

Original article by Sarah McLean for the Chelsea Blog, see entire interview here…Chelsea Blog

Practice-based PhD student Annabel Dover has been announced as the first recipient of a new award founded by the Camberwell, Chelsea and Wimbledon Graduate School with the The British School at Athens (BSA). The award comprises of a new arts residency in Greece, supported by a bursary and with studio and accommodation provided, which Annabel will undertake from 13 March – 31 May this year.

While in Greece, Annabel will look at Athens through the prism of her own personal narrative, engaging with the BSA research theme of building the archive. She will offer an introductory lecture at the School at the start of her residency and host an open studio event while resident.  She will also offer a lecture at UAL on returning from the residency.

The BSA, founded in 1886, maintains facilities in Athens which include the Director’s house (with meeting rooms and a recently-created artist’s studio in the roof space); the Hostel, housing a specialist library, archive, museum, accommodation, a common room, kitchen, dining room, and administration; a Hostel Annexe; the Assistant Director’s apartment; and the Marc and Ismene Fitch Laboratory for science-based archaeology. The BSA has a relaxed atmosphere enabling researchers to cross-fertilise among their own different fields of interest, as well as to develop links with local practitioners and researchers.

We spoke to Annabel about her work and her plans for the Residency.

Please tell us about your plans for the British School at Athens Residency – what do you hope to achieve? How will this relate to your current work? What attracted you to apply for it?
I’m so  looking forward to having a bed close to a studio and being able to focus on being in the studio and being immersed in my work all of the time. Unless I’m working towards a show I am not very good at making work. Neil Cummings [Professor of Practice and Theory of Fine Art in the Graduate School] talks about there already being too much stuff in the world and I feel I don’t really want to add to it! My PhD research came from and was developed by the practice and I would love to make more practical experiments.

Work from The Psychopathology of Everyday Life by Annabel Dover. Watercolour on paper and porcelain.

Work from The Psychopathology of Everyday Life by Annabel Dover. Watercolour on paper and porcelain.

The environment of the BSA is something I’m excited about too: there’s a really great looking museum with artefacts and a seed collection, which sounds magical. I am looking forward to meeting new people and hearing about their research. Athens itself is a fascinating city – the squashed oranges that fall off the trees are something I remember my mother telling me about. The central theme of my research is based on reliving my mother’s trip to Athens in the late 1980s. With this I hope to explore a new way of working.

I’ve looked at biography with my PhD research and the way I’ve tried to inhabit the Victorian photographer Anna Atkins. I also want to make work about how it feels to be away from ‘home’ and relate that to other ‘explorers’ such as Marianne North. I’m looking forward to having the freedom to make a record of emotional encounters in Athens.

I like the city of Athens and I feel I have only experienced it superficially, so it will be great to be there for three months. Last time I was there I saw a wild tortoise in the plants at the base of the Acropolis. It was very exciting seeing an (ancient) living thing inhabiting an ancient monument.