Monthly Archives: January 2018

PQ 2019 | Site Specific Performance Festival Open Call

Wimbledon PhD Graduate, Dr. Sophie Jump, is the curator of the Site Specific Performance Festival at the Prague Quadrennial 2019.

An International Jury awarded the Prague Quadrennial as one of the 12 of the most trend- setting European festivals of the 2015 from a pool of 760 festivals from 31 countries. The main criteria were Artistic Merit, Innovation, Internationality, Political Value and Sustainability.

From the EFFE jury statement: “Another hugely significant international gathering in its eld, the Prague Quadrennial has identi ed a specific area of artistic practice and made a great impact. Its programmes for students and young professionals are an extremely important aspect of its programme, making it a vital gathering for young artists and designers where they can come together and invent the future of stage design.”

PQ festival is the liveliest, and perhaps the most energizing and inspiring part of PQ that speaks about our contemporary experience, forges new connections, brings new audiences, and gives an opportunity to many artists not only from the area of performance design but also all other related fields to share the newest ideas and most current reflections of our world today. There is an open call to performance designers, directors, choreographers, performers and artists to bring their performances inspired by PQ site and Prague locations where performance design plays integral role and works that could change the regular patterns of the daily city life into a series of memorable moments. The festival is both an incubator and a forecaster of new trends in performance.

The Prague Quadrennial of Performance Design and Space invites submissions for the Site Specific Performance Festival, a curated, non-competitive project that will take place in Prague, 7-15 June 2019. Proposals are accepted from performance designers, directors, choreographers, performers and artists of all career levels.

CURATOR: Sophie Jump

• Call Published: 30 November 2017
• Deadline for Submission: 28 February 2018
• Official Selection Announced: 15 April 2018
• 14th Edition of Prague Quadrennial: 6-16 June 2019
• Site Specific Performance Festival: 7-15 June 2019

For more information and conditions for submissions for the Site Specific Performance Festival, please, follow attached files.

Please complete attached form in English and return to [email protected] saved as “artistname.application.pdf” with email subject line SITE SPECIFIC. Deadline for submission is 28 February 2018. No handwritten or incomplete applications will be accepted. Carefully read the Call for Applications before filling out this form.

Bentham and the Arts

Camberwell, Chelsea, Wimbledon’s Graduate School Director and Associate Dean of Research, Professor Malcolm Quinn, is co-convening a seminar series on Bentham and the Arts.

The seminar series will consider the sceptical challenge presented by Jeremy Bentham’s hedonistic utilitarianism to the existence of the aesthetic, as represented in the oft-quoted statement that, ‘Prejudice apart, the game of push-pin is of equal value with the arts and sciences of music and poetry. If the game of push-pin furnish more pleasure, it is more valuable than either.’ This statement is one part of a complex set of arguments on culture, taste, and utility that Bentham pursued over his lifetime, in which sensations of pleasure and pain were opposed to aesthetic sensibility.

Hosted by the Bentham Project and Faculty of Laws, University College London and the University of the Arts, London

Sponsored by UCL Faculty of Laws; UCL Bentham Project; and the International Society for Utilitarian Studies (ISUS)

Co convenors: Anthony Julius (UCL); Malcolm Quinn (UAL); Philip Schofield (UCL)

All seminars take place on Tuesday evenings, at 6.00 pm, at UCL.  All are welcome.

The seminars on 30 January, 20 February, 6 March and 20 March 2018 will take place in G10 Lecture Theatre, Chandler House, 2 Wakefield Street, London, WC1N 1PF.

The remaining seminars will take place in the Moot Court, Bentham House, Endsleigh Gardens, London, WC1H 0EG.

For abstracts of papers, please consult the full programme.

30 January 2018 BENTHAM SYMPOSIUM. Bentham’s Challenge to Aesthetics: Benjamin Bourcier (Catholic University of Lille); Malcolm Quinn (University of the Arts, London); Philip Schofield (UCL)
20 February 2018 Anthony Julius (UCL): Who was the greater champion of literature, Bentham or Mill?
6 March 2018 Stella Sandford (Kingston): ‘Envy accompanied with Antipathy’: Bentham and Freud on the Psychology of Sexual Ressentiment
20 March 2018 Tim Milnes (Edinburgh): Bentham, Romanticism, and the Arts
1 May 2018 Frances Ferguson (Chicago): Jeremy Bentham’s Expansive Aesthetics: Pushpin Too
22 May 2018 Emmanuelle de Champs (Cergy-Pointoise): Bentham and Dumont on Taste and Literature
29 May 2018 Carey Young (UCL): tbc
5 June 2018 Fran Cottell (University of the Arts London) and Marianne Mueller (Architectural Association): Pentagon Petal: from Pain to Pleasure
19 June 2018 Carolyn Shapiro (Falmouth): The Image of Bentham

For enquiries please contact Phil Baker, UCL Laws: [email protected] (020 3108 8480).

Call for Papers: Victorian Patterns

The British Association for Victorian Studies is holding its 2018 annual conference at the University of Exeter, 29-31 August 2018 on the topic ‘Victorian Patterns’.

Pattern in the nineteenth century was a much-debated topic. The execution of repetitive forms of design became both industrialized and institutionalized thanks to new techniques of mechanized production. Everywhere the surfaces of material culture were alive with a profusion of ornamental patterns. An insatiable appetite for pattern affected the appearance of public spaces, domestic interiors, clothing and the objects of everyday life. At the same time, revolutions in science and technologies, in the global circulation of people, commodities and ideas, and in the conception and creation of new forms explored and exploited the ways in which patterns, both cultural and natural, shape and organize experience and subjectivity. Pattern was (and is) often seen as repetitive, constraining, unimaginative, and deadening, but patterns also live, energizing, structuring, and acting both within and beyond the reach of human intentionality and subjectivity. This conference will explore the life of pattern in the nineteenth century and the way in which in its contradictions, its reproducibility and its close connections with materiality and the everyday, pattern can be seen as a representative natural, aesthetic, cultural and techno-scientific mode. We invite proposals for individual papers of 15 minutes or 3-paper panel sessions, and we would particularly welcome alternative session formats designed to foster discussion or pose research problems for discussions (e.g. poster presentations, 3×5 minute position papers, roundtables or working groups, etc.) on, but not limited to, the following topics:

• Patterns in nature: temporal (geologic, seasonal), energy, physics, evolution.

• Scientific and technological patterns: mathematics, markets, engineering, textiles, city-planning.

• Patterns of imagery: language, style, and genre.

• Design and decorative patterns: arts, crafts, ornament, textiles, The House Beautiful, book design.

• Music and metrical patterns, poetics, performance.

• Global patterns: travel and circulation; settlement and empire; inheritance.

• Repetitions, replications, rhythm, habits, habitus, disruption of pattern, linearity, circularity, randomness, emergence, chaos.

• Patterns of behaviour and mood.

Please submit an individual proposal of 250-300 words or a group proposal of 1000 words to [email protected] by the deadline of Tuesday 3rd of April. All proposals should include your name, email address and academic affiliation (if applicable).

See Call for papers PDF below…

BAVS 2018 CFP small